It’s an erotic drama directed by Walter Hugo Khouri.
However, the verdict remains mixed. Critics like those at the Jornal de Brasília note that while the film aspires to be a searing political critique, it often gets bogged down in long, bureaucratic sequences [7†L14-L15]. Yet, they also admit that the core of the film—where politicians decide the fate of the country inside a brothel—is a remarkably blunt insight into Brazil's soul, one that "the Cinema Novo... never had the courage to ask" [7†L37-L38]. "Amor Estranho Amor" is not simply a disgraced film. It is a strange, flawed, but ambitious work that has finally been allowed to take its place in history, an uncomfortable classic that forces a nation to look at itself.
"Amor Estranho Amor" é um drama erótico/artístico , não um filme pornográfico. A estética é a de um filme de arte, com foco na tensão psicológica e na narrativa, típico do diretor Walter Hugo Khouri.
The 1982 film Amor Estranho Amor (Love, Strange Love) remains one of the most debated pieces of Brazilian media due to its association with pop icon Xuxa Meneghel
When Xuxa signed her contract with the Globo television network in the mid-1980s to host her massively successful children's shows, her management recognized that Amor Estranho Amor could severely damage her brand. The Injunctions
This was the standard video format for 3G mobile phones in the mid-2000s. It was known for high compression and low quality, allowing full-length videos to be watched on small screens with limited storage.
This is the story of that film. It is a story of a complicated early career, a scandalous romance with one of Brazil's greatest heroes, a brutal legal battle, and the eventual, reluctant reconciliation with an artistic artifact that Xuxa now sees as a necessary social warning.
It’s an erotic drama directed by Walter Hugo Khouri.
However, the verdict remains mixed. Critics like those at the Jornal de Brasília note that while the film aspires to be a searing political critique, it often gets bogged down in long, bureaucratic sequences [7†L14-L15]. Yet, they also admit that the core of the film—where politicians decide the fate of the country inside a brothel—is a remarkably blunt insight into Brazil's soul, one that "the Cinema Novo... never had the courage to ask" [7†L37-L38]. "Amor Estranho Amor" is not simply a disgraced film. It is a strange, flawed, but ambitious work that has finally been allowed to take its place in history, an uncomfortable classic that forces a nation to look at itself. It’s an erotic drama directed by Walter Hugo Khouri
"Amor Estranho Amor" é um drama erótico/artístico , não um filme pornográfico. A estética é a de um filme de arte, com foco na tensão psicológica e na narrativa, típico do diretor Walter Hugo Khouri. Yet, they also admit that the core of
The 1982 film Amor Estranho Amor (Love, Strange Love) remains one of the most debated pieces of Brazilian media due to its association with pop icon Xuxa Meneghel It is a strange, flawed, but ambitious work
When Xuxa signed her contract with the Globo television network in the mid-1980s to host her massively successful children's shows, her management recognized that Amor Estranho Amor could severely damage her brand. The Injunctions
This was the standard video format for 3G mobile phones in the mid-2000s. It was known for high compression and low quality, allowing full-length videos to be watched on small screens with limited storage.
This is the story of that film. It is a story of a complicated early career, a scandalous romance with one of Brazil's greatest heroes, a brutal legal battle, and the eventual, reluctant reconciliation with an artistic artifact that Xuxa now sees as a necessary social warning.
Amanda D’Archangelis and Sami Horneff met in the world-renowned BMI Lehman Engel Musical Theatre Workshop. Recent work includes: THE RADIUM GIRLS, co-written with Lisa Mongillo and directed by Tony-Winner Marissa Jaret Winokur, which is eyeing a world premiere production in the 26-27 season (also a 2022 NAMT Finalist, a 2019 Eugene O’Neill NMTC Semi-Finalist, and five-time winner at The 2021 National Kennedy Center American College Theatre Festival); SINGLE RIDER (Off-Broadway 2018); COMING ATTRACTION (Wilbury Theatre Group 2019); and THE BREAK (Omaha Creative Institute 2018). Upcoming: BANDIT QUEEN, a new pop-Americana musical about Pearl Hart, the Wild West’s most notorious female bandit, which has been developed through artist residencies at The Legacy Theatre in Branford, CT and Drama Club Camp in Mount Vernon, ME; PANDORA IN BLUE JEANS with book by Adam Morrison, which explores the life of controversial “Peyton Place” author Grace Metalious; and PSYCH, a 90’s spin on the myth of Cupid & Psyche commissioned by Wichita State University. Amanda and Sami’s songs have also been performed at concert venues and educational institutions across the country. They are proud to be 2019 York Theatre Company New/Emerging/Outstanding Writers, 2024 Playbill Songwriter Series Featured Artists, and 2025 Write Out Loud Contest grand prize winners! For more, visit: @darchangelisandhorneff on instagram | www.amandadarchangelis.com and www.samihorneff.com