Resident Evil: Afterlife does not pretend to be high art or a deep philosophical meditation on viral pandemics. Instead, it embraces its identity as a hyper-stylized, visually pristine, sci-fi action comic book. Through its pioneering use of 3D technology, unforgettable industrial soundtrack, and unapologetic embrace of video game camp, it delivers pure cinematic escapism. It is a tightly directed, visually gorgeous pop-art spectacle that represents the absolute peak of Paul W.S. Anderson’s specific vision for the franchise.
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So, the next time you queue up a zombie movie, skip the Snyder cut of Dawn of the Dead for the 100th time. Give Resident Evil: Afterlife a spin. Watch it in 3D if you can. You might just realize that the best Resident Evil film doesn’t feature a mansion or a tyrant. It features a prison, an axe, and Milla Jovovich reloading dual shotguns in slow motion. Resident Evil: Afterlife does not pretend to be