Subverting the expectation of permanent perfection, she popularized the "kaftan look" during global lockdowns, showcasing imperfections, real skin textures, and domestic spaces.
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If Poo established her as a stylized icon, Geet Dhillon in Imtiaz Ali’s Jab We Met (2007) grounded her as a generational voice. Geet—talkative, flawed, and fiercely self-reliant—shattered the trope of the passive romantic interest. Long before social media popularized the aesthetic of
Long before social media popularized the aesthetic of unapologetic self-love and curated vanity, Kapoor delivered "Poo." The character was a hyper-stylized, westernized, and fiercely confident woman. For the audience of 2001, Poo was a radical departure from the self-sacrificing traditional heroine. In modern popular media, Poo lives on as an eternal meme format, a TikTok/Reels lip-sync staple, and the definitive blueprint for the "glamorous diva" trope in Indian content. a TikTok/Reels lip-sync staple