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| Section | Setting | Why it matters | |---------|---------|----------------| | | Codec : H.264 (x264) – universally compatible. | H.264 gives excellent compression at modest CPU load. | | | Framerate (FPS) : Same as source (or 30 fps if source is higher). | Prevents unnecessary frame‑rate conversion. | | | Constant Quality : RF 22‑24 (lower = higher quality). | RF 22 is a sweet spot for 1080p – you’ll notice a size drop without obvious quality loss. | | Audio | Codec : AAC (CoreAudio on macOS, FFmpeg on Windows). | AAC is widely supported; keep the original bitrate if you like the audio. | | | Bitrate : 160 kbps (or 128 kbps for speech‑heavy content). | Saves a few megabytes. | | Filters | Deinterlace : Off (unless source is interlaced). | Saves CPU and avoids artifacts. | | | Denoise : Light (optional). | Can reduce grain, further lowering bitrate. | | Dimensions | Keep “Resolution Limit” at 1080 (or set to 720 to downscale). | Controls max output resolution. | | Advanced | Encoder preset : fast (or medium for higher quality). | Faster encode → slightly larger files; “medium” is the default for best compression/quality trade‑off. | Natsu Igarashi is a renowned expert in the