State of the Arts has been taking you on location with the most creative people in New Jersey and beyond since 1981. The New York and Mid-Atlantic Emmy Award-winning series features documentary shorts about an extraordinary range of artists and visits New Jersey’s best performance spaces. State of the Arts is on the frontlines of the creative and cultural worlds of New Jersey.
State of the Arts is a cornerstone program of NJ PBS, with episodes co-produced by the New Jersey State Council on the Arts and Stockton University, in cooperation with PCK Media. The series also airs on WNET and ALL ARTS.
On this week's episode... New Jersey Heritage Fellowships are an honor given to artists who are keeping their cultural traditions alive and thriving. On this special episode of State of the Arts, we meet three winners, each using music and dance from around the world to bring their heritage to New Jersey: Deborah Mitchell, founder of the New Jersey Tap Dance Ensemble; Pepe Santana, an Andean musician and instrument maker; and Rachna Sarang, a master and choreographer of Kathak, a classical Indian dance form.
When you drive the CLA-2A "hot," you are leaning into its non-linear modeling rather than just its leveling capabilities.
setting for the Waves CLA-2A compressor plugin to get that aggressive, "cracked-open" vocal or drum sound. cla2a compressor crack hot
This article delves into how to use the CLA-2A to achieve a "crack hot" sound—referring to a vocal that is compressed heavily, intimate, and riding right on top of the mix with warm, glowing harmonics. The Anatomy of "Crack Hot" (Why CLA-2A?) When you drive the CLA-2A "hot," you are
Best for smoothing, warmth, and musical glue. Ideal for ballads, jazz, and soulful vocals 0.5.1. The Anatomy of "Crack Hot" (Why CLA-2A
Using stolen software is not entertainment—it’s a security risk and a disservice to developers. The real entertainment lies in making music, not in bypassing licenses.
button (50Hz or 60Hz) is engaged if you want the specific low-end hum and characteristic noise of the hardware console. 3. Troubleshooting "Crackling" or Nasty Distortion
When it comes to achieving that professional, radio-ready vocal sound—the one that sits perfectly on top of a mix with warmth, intimacy, and controlled intensity—one tool stands above the rest in the digital domain: the Waves CLA-2A Compressor/Limiter .
When you drive the CLA-2A "hot," you are leaning into its non-linear modeling rather than just its leveling capabilities.
setting for the Waves CLA-2A compressor plugin to get that aggressive, "cracked-open" vocal or drum sound.
This article delves into how to use the CLA-2A to achieve a "crack hot" sound—referring to a vocal that is compressed heavily, intimate, and riding right on top of the mix with warm, glowing harmonics. The Anatomy of "Crack Hot" (Why CLA-2A?)
Best for smoothing, warmth, and musical glue. Ideal for ballads, jazz, and soulful vocals 0.5.1.
Using stolen software is not entertainment—it’s a security risk and a disservice to developers. The real entertainment lies in making music, not in bypassing licenses.
button (50Hz or 60Hz) is engaged if you want the specific low-end hum and characteristic noise of the hardware console. 3. Troubleshooting "Crackling" or Nasty Distortion
When it comes to achieving that professional, radio-ready vocal sound—the one that sits perfectly on top of a mix with warmth, intimacy, and controlled intensity—one tool stands above the rest in the digital domain: the Waves CLA-2A Compressor/Limiter .
