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Opposing them was , the last bastion of the traditional "Big Screen" experience. They viewed Aura’s VR as "digital anesthesia." Zenith’s CEO, a formidable woman named Helena Thorne, hired a group of "Celluloid Raiders"—modern-day mercenaries who specialized in recovering physical artifacts. They believed the Master Reel wasn't a file, but a physical canister of 70mm film hidden in Silas’s private vault. To Zenith, the Reel was the holy grail of cinematography, capable of projecting images with a soul that no pixel could replicate.
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