Jamerson was a double-bass player first; his use of chromatic passing tones comes directly from his jazz roots.
The instructional portion analyzes the technical anomalies that gave Jamerson his instantly recognizable tone: james jamerson standing in the shadows of motown pdf
Published in 1989, Standing in the Shadows of Motown rescued Jamerson’s legacy from obscurity. It is far more than a standard sheet music songbook. The text serves as a multi-dimensional educational tool that includes: Jamerson was a double-bass player first; his use